{"id":974,"date":"2022-06-17T21:35:20","date_gmt":"2022-06-17T19:35:20","guid":{"rendered":"https:\/\/tulaboratoriofavorito.wordpress.com\/?p=974"},"modified":"2023-02-28T15:13:54","modified_gmt":"2023-02-28T14:13:54","slug":"nan-goldin","status":"publish","type":"post","link":"https:\/\/sollabsevilla.com\/index.php\/2022\/06\/17\/nan-goldin\/","title":{"rendered":"NAN GOLDIN"},"content":{"rendered":"\n
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Nan Goldin<\/h2>\n\n\n\n

\u00abMi trabajo viene de la empat\u00eda y el amor\u00bb<\/em> Nan Goldin<\/p>\n\n\n\n

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Nan Goldin es una fot\u00f3grafa estadounidense, renovadora de la fotograf\u00eda documental y narradora de la escena contracultural de Nueva York de los a\u00f1os 70 y 80.<\/p>\n\n\n\n

Las principales tem\u00e1ticas de las obras de Nan Goldin son: la intimidad, la sexualidad, el g\u00e9nero, la enfermedad y el amor. En la \u00e9poca del estallido underground en NY, el punk, el comienzo de la visibilizaci\u00f3n de diferentes identidades sexuales y de g\u00e9nero, y tambi\u00e9n del SIDA, Nan Goldin se qued\u00f3 prendada del movimientos Drag queen:<\/p>\n\n\n\n

\u00abSe convirtieron en mi mundo entero. Parte de mi adoraci\u00f3n involucraba fotografiarlos (\u2026) nunca los vi como hombres visti\u00e9ndose como mujeres, sino como algo completamente diferente: un tercer g\u00e9nero que ten\u00eda m\u00e1s sentido que cualquiera de los otros dos\u00bb.<\/em><\/p>\n\n\n\n

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Su trabajo puede leerse como retrato social, de hecho ella se autodenomina como \u00abfot\u00f3grafa documentalista\u00bb, s\u00f3lo que sus modelos no son desconocidos, sino personas allegadas a su vida, sus amigos, su c\u00edrculo m\u00e1s cercano. Por eso, sus fotograf\u00edas son tan crudas como honestas y nos llenan de vida y de muerte, de alegr\u00eda y melancol\u00eda, de ilusi\u00f3n y decepci\u00f3n. Una realidad que pocas veces era mostrada al gran p\u00fablico.<\/p>\n\n\n\n

\u00abNo me importaba realmente la \u00abbuena\u00bb fotograf\u00eda. Me importaba la completa honestidad.\u00bb<\/em><\/p>\n\n\n\n

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Goldin proyectaba sus fotograf\u00edas en pases de diapositivas. Su primer pase y obra m\u00e1s conocida es \u00abLa balada de la dependencia sexual\u00bb, proyectada en 1985 y convertida en libro en 1986. Una de sus series posteriores \u00abLa balada desde la morgue\u00bb insiste en el mismo tema: el efecto devastador del sida sobre esa generaci\u00f3n.<\/p>\n\n\n\n

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Tanto es as\u00ed, que poco despu\u00e9s de presentar La balada de la dependencia sexual en Europa, Nan ingresa en una cl\u00ednica de desintoxicaci\u00f3n, desde donde sigue trabajando. El autorretrato se convierte entonces en uno de los temas m\u00e1s recurrentes de su obra. M\u00e1s tarde, la fot\u00f3grafa rueda un documental autobiogr\u00e1fico titulado \u00abI\u2019ll be your mirror\u00bb.<\/p>\n\n\n\n

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Esta combinaci\u00f3n entre fotograf\u00eda documental y arte ha hecho de Nan Goldin una de las fot\u00f3grafas m\u00e1s influyentes del siglo XX. En 2007 recibi\u00f3 el Premio Internacional de la fundaci\u00f3n Hasselblad por su obra.<\/p>\n<\/div>\n\n\n\n

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<\/div>\n","protected":false},"excerpt":{"rendered":"

Nan Goldin 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