{"id":3836,"date":"2024-09-18T12:44:48","date_gmt":"2024-09-18T10:44:48","guid":{"rendered":"https:\/\/sollabsevilla.com\/?p=3836"},"modified":"2024-11-21T17:47:15","modified_gmt":"2024-11-21T16:47:15","slug":"agfa-apx-100","status":"publish","type":"post","link":"https:\/\/sollabsevilla.com\/index.php\/2024\/09\/18\/agfa-apx-100\/","title":{"rendered":"Agfa APX 100"},"content":{"rendered":"\n
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Agfa APX 100<\/h2>\n\n\n\n
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Agfa APX 100, una pel\u00edcula en blanco y negro de 35mm muy vers\u00e1til, bastante flexible y que se puede forzar hasta 3 pasos.<\/strong><\/p>\n\n\n\n

\"Agfa<\/figure>\n\n\n\n
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Agfa APX 100 es una pel\u00edcula en blanco y negro de 35 mm que resulta muy adecuada para la fotograf\u00eda de arquitectura, paisajes, naturaleza muerta e incluso retratos.<\/p>\n\n\n\n

Esta pel\u00edcula tiene ISO 100, por lo que su grano es bastante fino, dando im\u00e1genes muy n\u00edtidas y definidas, lo que la hace ideal para ampliaciones.<\/p>\n\n\n\n

Una de sus caracter\u00edsticas m\u00e1s destacadas es que tiene un amplio rango de exposici\u00f3n, lo que se traduce en im\u00e1genes con una gran gama tonal y un contraste medio, capturando muy bien la informaci\u00f3n en las luces altas.<\/p>\n\n\n\n

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\"Agfa
\u00a9 Almudena Blasco<\/figcaption><\/figure>\n\n\n\n
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En cuanto a su precio, es una de las opciones m\u00e1s asequibles del mercado para una pel\u00edcula en blanco y negro de baja velocidad, sin dejar de ser una emulsi\u00f3n de buena calidad. <\/p>\n\n\n\n

En definitva, esta pel\u00edcula es perfecta para situaciones de buena iluminaci\u00f3n, ofreciendo nitidez y claridad, y es igualmente efectiva tanto en exteriores soleados como en estudios bien iluminados.<\/p>\n\n\n\n

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\"Agfa<\/figure>\n\n\n\n
\"Agfa<\/figure>\n\n\n\n
\"Agfa<\/figure>\n<\/figure>\n\n\n\n
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\u00a9 Almudena Blasco<\/p>\n\n\n\n

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Un poco de historia<\/strong><\/p>\n\n\n\n

AGFA es una marca alemana conocida por fabricar pel\u00edculas, papel fotogr\u00e1fico y c\u00e1maras. Fue fundada en 1867 en Berl\u00edn y su nombre deriva de \u00abActien-Gesellschaft f\u00fcr Anilin-Fabrication\u00bb (Corporaci\u00f3n para la producci\u00f3n de anilina), que posteriormente se abrevi\u00f3 a AGFA. <\/p>\n\n\n\n

En un principio, Agfa se centr\u00f3 en el desarrollo de productos qu\u00edmicos y pel\u00edcula para la industria fotogr\u00e1fica, pero sus inicios fueron como una f\u00e1brica de tintes de color.<\/p>\n\n\n\n

En su origen, comenzaron produciendo productos qu\u00edmicos fotogr\u00e1ficos y pel\u00edculas, hasta 1925, cuando se fusion\u00f3 con otros fabricantes qu\u00edmicos alemanes (incluidos BASF y Bayer) para formar el conglomerado gigante IG Farben. <\/p>\n\n\n\n

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\"Agfa<\/figure>\n\n\n\n
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M\u00e1s tarde, absorbi\u00f3 la f\u00e1brica de c\u00e1maras Rietzschel de Bayer en M\u00fanich y comenz\u00f3 a producir c\u00e1maras.<\/p>\n\n\n\n

En 1928, Agfa adquiri\u00f3 la empresa fotogr\u00e1fica estadounidense Ansco y le otorg\u00f3 la licencia para vender c\u00e1maras Agfa en el mercado estadounidense bajo la marca Agfa-Ansco. Pero cuando comenz\u00f3 la Segunda Guerra Mundial, el gobierno estadounidense se apoder\u00f3 de Agfa-Ansco y la empresa pas\u00f3 a llamarse General Aniline and Film Corporation (ahora conocida como GAF Materials Corporation), eliminando as\u00ed la palabra \u201cAgfa\u201d de su marca.<\/p>\n\n\n\n

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\"\"<\/figure><\/div>
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Poco despu\u00e9s de finalizar la Segunda Guerra Mundial, los aliados desmantelaron por la fuerza la empresa IG Farben por su colaboraci\u00f3n con los dirigentes nazis en el suministro del pesticida Zyklon B para su uso en las c\u00e1maras de gas de los campos de concentraci\u00f3n. Veinticuatro directores de IG Farben fueron acusados durante los juicios de N\u00faremberg, incluido el director de Agfa, Fritz Gajewski. Aunque m\u00e1s de la mitad de ellos fueron declarados culpables y cumplieron condenas de prisi\u00f3n, Gajewski fue declarado inocente y absuelto de todos los cargos.<\/p>\n\n\n\n

Tras la disoluci\u00f3n de IG Farben, Agfa volvi\u00f3 a ser una empresa independiente antes de convertirse en una filial de Bayer en 1952. <\/p>\n\n\n\n

En 1964, Agfa AG se fusion\u00f3 con la empresa fotogr\u00e1fica belga Gevaert Photo-Producten NV para formar Agfa-Gevaert NV, que permanecer\u00eda bajo el control de Bayer hasta 1999. <\/p>\n\n\n\n

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\"Agfa<\/figure>\n\n\n\n
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La empresa continu\u00f3 fabricando c\u00e1maras anal\u00f3gicas hasta principios de los a\u00f1os 80 y luego produjo una serie de c\u00e1maras digitales de nivel b\u00e1sico sin \u00e9xito desde mediados de los a\u00f1os 90 hasta principios de los a\u00f1os 2000.<\/p>\n\n\n\n

En 2004, Agfa-Gevaert vendi\u00f3 su divisi\u00f3n de im\u00e1genes de consumo, que se reform\u00f3 como AgfaPhoto GmbH. Sin embargo, en tan solo un a\u00f1o, AgfaPhoto se declar\u00f3 en quiebra y ahora concede licencias para el uso del nombre Agfa a otras empresas de im\u00e1genes que fabrican suministros de impresi\u00f3n, c\u00e1maras fotogr\u00e1ficas digitales y c\u00e1maras de acci\u00f3n, entre otros productos.<\/p>\n\n\n\n

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\"Agfa<\/figure>\n\n\n\n
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Conoce otras pel\u00edculas de blanco y negro ISO 100 pulsando aqu\u00ed<\/a>.<\/p>\n\n\n\n

<\/div>\n\n\n\n

Fuentes:<\/p>\n\n\n\n

https:\/\/analoguewonderland.co.uk\/blogs\/film-review\/agfa-photo-apx-100-flm-review?srsltid=AfmBOorJ7lYDZL3JiDm5T_bnBJejrCp-uGqjBCk4uIPu_eVajVRtZzfK<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Agfa APX 100 Agfa APX 100, una pel\u00edcula en blanco y negro de 35mm muy vers\u00e1til, bastante flexible y que […]<\/p>\n","protected":false},"author":1,"featured_media":3870,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","om_disable_all_campaigns":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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