{"id":3067,"date":"2023-07-13T09:00:00","date_gmt":"2023-07-13T07:00:00","guid":{"rendered":"https:\/\/sollabsevilla.com\/?p=3067"},"modified":"2023-07-10T20:55:36","modified_gmt":"2023-07-10T18:55:36","slug":"clementine-schneidermann","status":"publish","type":"post","link":"https:\/\/sollabsevilla.com\/index.php\/2023\/07\/13\/clementine-schneidermann\/","title":{"rendered":"Cl\u00e9mentine Schneidermann<\/strong>"},"content":{"rendered":"\n
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Cl\u00e9mentine Schneidermann<\/strong><\/h2>\n\n\n\n
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\u201cIt\u2019s called Ffasiwn\u201d<\/em><\/strong> (2016-ong) – un proyecto de Cl\u00e9mentine Schneidermann y Charlotte James<\/p>\n\n\n\n

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\"Cl\u00e9mentine<\/figure>\n\n\n\n
\"Cl\u00e9mentine<\/figure>\n<\/figure>\n\n\n\n

Estas fotograf\u00edas pertenecen a un proyecto titulado \u201cIt\u2019s called Ffasiwn\u201d<\/em> comenzado en 2016 por la fot\u00f3grafa francesa Cl\u00e9mentine Schneidermann y la estilista Charlotte James.<\/p>\n\n\n\n

Cl\u00e9mentine Schneidermann es una fot\u00f3grafa francesa que vive y trabaja entre Par\u00eds y Gales del Sur. Recientemente complet\u00f3 un doctorado en la Universidad de Gales del Sur, Cardiff, titulado Fotografiar ni\u00f1os en un contexto social: narrativas y estrategias<\/em> (2021). <\/p>\n\n\n\n

Trabaja en proyectos y encargos a largo plazo y est\u00e1 interesada en nuevas pr\u00e1cticas creativas en torno a la fotograf\u00eda documental social. Su enfoque es colaborativo y l\u00fadico, con inter\u00e9s en las comunidades, la infancia y nuestra relaci\u00f3n con la identidad y la cultura. <\/p>\n\n\n\n

Cl\u00e9mentine tambi\u00e9n colabora regularmente en publicaciones como Self Service, Dazed o Vogue Italia. Y adem\u00e1s es cofundadora de Ffasiwn Stiwdio<\/a>, un estudio creativo basado en la fotograf\u00eda que crea talleres, publicaciones, pel\u00edculas y exposiciones con grupos de j\u00f3venes.<\/p>\n\n\n\n

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\"Cl\u00e9mentine<\/figure>\n\n\n\n
\"Cl\u00e9mentine<\/figure>\n<\/figure>\n\n\n\n

\u201cIt\u2019s called Ffasiwn\u201d<\/em><\/p>\n\n\n\n

Es un proyecto en el que la fot\u00f3grafa Cl\u00e9mentine Schneidermann y la estilista Charlotte James salieron a las calles del sur de Gales para crear una serie colorida de im\u00e1genes escenificados, utilizando la moda como una herramienta para cambiar las percepciones de la regi\u00f3n y trabajando con ni\u00f1os locales.<\/p>\n\n\n\n

Producido a lo largo de tres a\u00f1os, es un proyecto comunitario de moda, documental y participativo que desaf\u00eda la forma est\u00e1tica en que los medios de comunicaci\u00f3n han retratado la regi\u00f3n al celebrar la creatividad de sus habitantes m\u00e1s j\u00f3venes.<\/p>\n\n\n\n

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\"Cl\u00e9mentine<\/figure>\n\n\n\n
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Tras el declive de la industria minera del carb\u00f3n en la d\u00e9cada de 1980, la regi\u00f3n sufri\u00f3 mucho y actualmente es una de las m\u00e1s desfavorecidas del Reino Unido. Se le representa principalmente como tal, atrapado dentro de un marco de negatividad y estereotipos de clase trabajadora. <\/p>\n\n\n\n

Sin negar los impactos duraderos que la desindustrializaci\u00f3n que ha habido en la regi\u00f3n, It’s Called Ffasiwn<\/em> mira a las futuras generaciones del Valle, buscando nutrir su creatividad y utilizarla como medio de interacci\u00f3n con su entorno.<\/p>\n\n\n\n

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Nacida en Par\u00eds, ahora con sede en Gales, Schneidermann se cruz\u00f3 con la estilista durante una residencia en Abertillery en 2015. Compartieron intereses y decidieron embarcarse en un proyecto a largo plazo en un intento por reimaginar visualmente la regi\u00f3n, creando una serie de talleres de moda en un par de centros juveniles. <\/p>\n\n\n\n

Con edades comprendidas entre los 8 y los 14 a\u00f1os, los participantes probaron el maravilloso universo de la industria de la moda. James ense\u00f1\u00f3 costura, personalizaci\u00f3n de ropa de segunda mano y estilismo, mientras que Schneidermann se ocup\u00f3 de aquellos interesados en explorar lo que sucede detr\u00e1s de la lente de la c\u00e1mara. <\/p>\n\n\n\n

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\"Cl\u00e9mentine<\/figure>\n<\/figure>\n\n\n\n
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Cuenta Cl\u00e9mentine:<\/p>\n\n\n\n

\u201cEste proyecto es un h\u00edbrido de diferentes formas, tocando la fotograf\u00eda documental, pero tambi\u00e9n la moda, la performance y el paisaje.\u00a0Mi enfoque no era tan diferente al de un fot\u00f3grafo documental;\u00a0a\u00fan necesita ganarme la confianza de la comunidad, construir una relaci\u00f3n a largo plazo e investigar sobre el \u00e1rea.\u00a0Me tom\u00f3 algunos a\u00f1os sentirme ‘aceptada’ por los ni\u00f1os y los padres, que es lo que buscan la mayor\u00eda de los fot\u00f3grafos documentales cuando trabajan con comunidades.\u201d<\/em><\/p>\n\n\n\n

\u201cEl enfoque podr\u00eda describirse como participativo, ya que tratamos de involucrar a los ni\u00f1os tanto como sea posible en el proyecto a trav\u00e9s de talleres.\u00a0Es un retrato creativo y muy subjetivo de una regi\u00f3n y una comunidad, que juega con varias capas de la realidad.\u00a0Despu\u00e9s de haber vivido en The Valleys durante dos a\u00f1os, a menudo me sorprend\u00eda c\u00f3mo se presentaba la regi\u00f3n en los medios.\u00a0Sin negar la realidad, quer\u00edamos desafiar la forma en que a menudo se representan estas comunidades.\u201d<\/em><\/p>\n\n\n\n

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Sobre el por qu\u00e9 del t\u00edtulo, ambas artistas explican:<\/p>\n\n\n\n

\u00abCuando hicimos el color negro para la sesi\u00f3n fotogr\u00e1fica con el tema de Halloween, era la primera vez que trabaj\u00e1bamos con ese grupo de ni\u00f1as en particular, y estaban muy emocionadas.\u00a0Cuando salieron por primera vez a la finca vestidas, los chicos del grupo de j\u00f3venes se burlaron de ellas diciendo: \u00ab\u00bfQu\u00e9 llev\u00e1is puesto?\u00bb\u00a0y \u201cParece que vais a un funeral\u201d. Una chica (que se me present\u00f3 por primera vez como ‘Sassy Keely\u2019) les grit\u00f3: \u201cIt\u2019s called fashion\u2026look it up.\u201d<\/strong><\/em><\/p>\n\n\n\n

\u201cNos encant\u00f3 esa confianza en s\u00ed misma, esa actitud y c\u00f3mo no cedieron a las burlas.\u00a0Pusieron a los ni\u00f1os en su lugar y luego continuaron siendo parte del proyecto, lo cual fue una experiencia nueva para ellos\u201d<\/em><\/p>\n\n\n\n

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\ud83d\udc49 ‘ffasiwn’ es la palabra galesa para \u2018moda’<\/p>\n\n\n\n

Si te ha gustado este proyecto, te recomendamos que eches un ojo a sus otros proyectos en su p\u00e1gina web https:\/\/www.clementineschneider.com\/<\/a><\/p>\n\n\n\n

\"Cl\u00e9mentine<\/figure>\n\n\n\n

Fuentes:<\/p>\n\n\n\n

www.lensculture.com\/articles\/clementine-schneidermann-it-s-called-ffasiwn<\/a><\/p>\n\n\n\n

www.clementineschneider.com\/<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Cl\u00e9mentine Schneidermann \u201cIt\u2019s called Ffasiwn\u201d (2016-ong) – un proyecto de Cl\u00e9mentine Schneidermann y Charlotte James Estas fotograf\u00edas pertenecen a un 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