{"id":2924,"date":"2023-05-29T20:29:29","date_gmt":"2023-05-29T18:29:29","guid":{"rendered":"https:\/\/sollabsevilla.com\/?p=2924"},"modified":"2023-05-29T20:33:15","modified_gmt":"2023-05-29T18:33:15","slug":"lua-ribeira","status":"publish","type":"post","link":"https:\/\/sollabsevilla.com\/index.php\/2023\/05\/29\/lua-ribeira\/","title":{"rendered":"Lua Ribeira"},"content":{"rendered":"\n
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Lua Ribeira<\/h2>\n\n\n\n
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Lua Ribeira<\/figcaption><\/figure>\n\n\n\n

Hoy queremos destacar la obra de Lua Ribeira (Galicia, 1986), y en concreto un proyecto que se titula \u201cArist\u00f3cratas\u201d.<\/em><\/p>\n\n\n\n

Se trata de una serie que crea en colaboraci\u00f3n con una instituci\u00f3n religiosa que atiende a un colectivo de mujeres con discapacidad intelectual en Galicia, su tierra natal. La convivencia y el hecho de compartir la vida cotidiana con ellas durante dos veranos, le permite un acercamiento al grupo y la creaci\u00f3n de un espacio de encuentro.<\/p>\n\n\n\n

A partir de esta experiencia transformadora es cuando surge la posibilidad de realizar el trabajo fotogr\u00e1fico: \u00abcomienzo a reflexionar sobre la idea de \u201ccapacidad\u201d como construcci\u00f3n social en relaci\u00f3n a la normalidad y cu\u00e1l es la funci\u00f3n de esa exclusi\u00f3n \u2013en grupos como este\u2013 para el resto de la sociedad\u00bb.<\/p>\n\n\n\n

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Lua Ribeira naci\u00f3 en Galicia en 1986 y actualmente vive en Bristol, Reino Unido. Se gradu\u00f3 en dise\u00f1o gr\u00e1fico en Bau Escola de Disseny, Barcelona y posteriormente se gradu\u00f3 en Fotograf\u00eda Documental por la Universidad del Sur de Gales en 2016 y desde entonces ha continuado su compromiso acad\u00e9mico como profesora invitada en varias universidades, entre ellas la Universidad de Westminster, la Universidad del Oeste de Inglaterra y la Universidad Complutense de Madrid.<\/p>\n\n\n\n

\u201cArist\u00f3cratas\u201d<\/em><\/p>\n\n\n\n

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Cuenta Lua Ribeira que \u201cEsclavas de la Virgen Dolorosa (EVD) es una congregaci\u00f3n espa\u00f1ola de monjas cat\u00f3licas fundada inicialmente en 1935 como residencia para mujeres con discapacidad intelectual. Dos de sus centros se encuentran en Galicia, una regi\u00f3n del norte de Espa\u00f1a, que es tambi\u00e9n mi tierra natal. La primera vez que visit\u00e9 la congregaci\u00f3n fue en julio de 2014\u201d.<\/em><\/p>\n\n\n\n

\u201cLa motivaci\u00f3n del trabajo era reflexionar sobre la discapacidad como construcci\u00f3n social, determinada por una definici\u00f3n hist\u00f3rica del individuo \u00abnormal\u00bb y sano. Me interes\u00f3 la funci\u00f3n que estos grupos tienen en el imaginario colectivo de una sociedad y la repetici\u00f3n de f\u00f3rmulas similares de exclusi\u00f3n a lo largo de la historia. Mi impulso fue desafiar la separaci\u00f3n estructural entre las mujeres de la congregaci\u00f3n y yo, no por estar all\u00ed como trabajadora, cuidadora o fot\u00f3grafa, sino con la intenci\u00f3n de compartir un espacio rec\u00edproco que pudiera resultar tanto de encuentro como de colisi\u00f3n\u201d.<\/em><\/p>\n\n\n\n

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\u201cCon la progresiva secularizaci\u00f3n de la instituci\u00f3n, estas fotograf\u00edas trazan un momento en el que los h\u00e1bitos y la vida cotidiana de la comunidad est\u00e1n cambiando. En el seno de la organizaci\u00f3n se abr\u00eda una conversaci\u00f3n sobre d\u00f3nde est\u00e1n los l\u00edmites en relaci\u00f3n con la participaci\u00f3n social, como individuos y como grupo.\u00bb<\/em><\/p>\n\n\n\n

\u00abEn el verano de 2016 empec\u00e9 a buscar formas de hacer im\u00e1genes en colaboraci\u00f3n con las mujeres que viven y trabajan all\u00ed. Fue a trav\u00e9s de una serie de talleres de teatro organizados como actividades de tarde, que floreci\u00f3 un espacio com\u00fan para este encuentro. Jugando y representando escenas cortas me di cuenta de que las representaciones sol\u00edan estar relacionadas con rituales y convenciones sociales de los que el grupo quedaba excluido de alguna manera. Con un enfoque que oscilaba entre lo m\u00e1s observacional y lo performativo, las fotograf\u00edas pretenden en \u00faltima instancia representar ideas universales, como el amor, la tristeza, la alegr\u00eda o el sacrificio.\u201d<\/em><\/p>\n\n\n\n

\u201cGracias Montse, Laura, Camila, Susi L., Susi P., Angelica, Mercedes, Concha, Celia, Margarita, Maria, Julia, Eva, Sandra, Emma, Pili C., Pili B., Dolores, Marta, Bego\u00f1a, Ana I., Nuria y Vicky\u201d<\/em><\/p>\n\n\n\n

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Partiendo de su propia herencia gallega, la obra de Lua Ribeira aborda las din\u00e1micas de opresi\u00f3n y los mecanismos de exclusi\u00f3n que implica la cultura dominante. Su pr\u00e1ctica se caracteriza por su naturaleza colaborativa, una amplia investigaci\u00f3n y un enfoque inmersivo de sus temas. Le interesa utilizar el medio fotogr\u00e1fico para crear encuentros que establezcan relaciones y cuestionen las separaciones estructurales entre las personas.<\/p>\n\n\n\n

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Ribeira es actualmente miembro asociado de Magnum Photos (desde 2018, convirti\u00e9ndose en la tercera espa\u00f1ola en ingresar en esta Agencia). <\/p>\n\n\n\n

Su obra ha recibido varios premios y distinciones, entre ellos el Firecracker Grant for Women in Photography y el premio Jerwood\/Photoworks. Su obra ha sido publicada en forma de libro por Fishbar, Londres en 2017, y ha aparecido en la publicaci\u00f3n Firecrackers: Female Photographer Now publicada por Thames and Hudson, as\u00ed como en Raw View Magazine, \u00abWomen looking at Women\u00bb. <\/p>\n\n\n\n

Ha sido nominada al premio Foam Paul Huf y al Prix Pictet 2019. Su trabajo ha sido expuesto internacionalmente tanto en exposiciones individuales como colectivas en lugares como Impressions Gallery (Bradford), Ffotogallery (Cardiff) Belfast Exposed, Beijing International Photography Biennale, Tabacalera (Madrid) Fundaci\u00f3n Seoane (Coru\u00f1a) entre otros. <\/p>\n\n\n\n

Actualmente su obra forma parte de Close Enough, New Perspectives from 12 Women Photographers in Magnum, en el ICP de Nueva York, comisariada por Charlotte Cotton, y en marzo de 2023 DALPINE publicar\u00e1 su primera monograf\u00eda \u00abSubida al Cielo\u00bb<\/em><\/strong> junto con una exposici\u00f3n individual en el Museo Tabakalera de Donosti, en el Pa\u00eds Vasco.<\/p>\n\n\n\n

\u201cSubida al cielo\u201d<\/em><\/strong> est\u00e1 disponible hasta el 02\/07\/2023, comisariada por Sonia Berger y donde expone cinco series desarrolladas entre los a\u00f1os 2016 y 2020:\u00a0Subida al cielo<\/em><\/strong>,\u00a0Arist\u00f3cratas<\/em><\/strong>,\u00a0Las visiones<\/em><\/strong>,\u00a0La Jungla<\/em><\/strong>\u00a0y\u00a0Los afortunados<\/em><\/strong>.<\/p>\n\n\n\n

Repartidas en dos plantas, se exponen 74 obras junto con materiales de apoyo usados por la artista en la b\u00fasqueda de im\u00e1genes, formando la exposici\u00f3n m\u00e1s completa y extensa de su trabajo hasta la fecha.<\/p>\n\n\n\n

Toda su obra en www.luaribeira.com<\/a> \ud83d\udc40<\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Lua Ribeira Hoy queremos destacar la obra de Lua Ribeira (Galicia, 1986), y en concreto un proyecto que se titula 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