{"id":2838,"date":"2023-05-01T19:45:51","date_gmt":"2023-05-01T17:45:51","guid":{"rendered":"https:\/\/sollabsevilla.com\/?p=2838"},"modified":"2023-05-01T19:45:52","modified_gmt":"2023-05-01T17:45:52","slug":"richard-billingham","status":"publish","type":"post","link":"https:\/\/sollabsevilla.com\/index.php\/2023\/05\/01\/richard-billingham\/","title":{"rendered":"Richard Billingham"},"content":{"rendered":"\n
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Richard Billingham<\/h2>\n\n\n\n
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\u201cRay’s a laugh\u201d<\/strong> es el proyecto m\u00e1s importante y c\u00e9lebre de Richard Billingham. Describi\u00f3 la que era su vida familiar y como \u00e9l mismo explica:<\/p>\n\n\n\n

\u201cMi intenci\u00f3n no es la de causar ning\u00fan tipo de impacto, de ofender, ni ser sensacionalista o dejar un mensaje pol\u00edtico o de lo que sea, solo quiero hacer un trabajo con el m\u00e1ximo contenido espiritual del que soy capaz\u201d<\/em><\/p>\n\n\n\n

\u2b07\u2b07\u2b07<\/strong><\/p>\n\n\n\n

Richard Billingham (1970) es un fot\u00f3grafo ingl\u00e9s que creci\u00f3 en un barrio obrero a las afueras de Birmingham. Su trabajo art\u00edstico no deja impasible al p\u00fablico, es tan crudo como sentimental. Est\u00e1 basado en su familia, rompiendo los l\u00edmites de la propia intimidad.<\/p>\n\n\n\n

Pionero del ‘realismo s\u00f3rdido\u2019, no tom\u00f3 una fotograf\u00eda hasta los 19 a\u00f1os, cuando viv\u00eda con su padre alcoh\u00f3lico, Ray, en un apartamento en el s\u00e9ptimo piso de un edificio de protecci\u00f3n oficial en Cradley Heath en Black Country, (al oeste de\u00a0Birmingham).\u00a0En esa \u00e9poca viv\u00eda solo con su padre, ya que su madre estuvo ausente durante un tiempo antes de volver a la casa.<\/p>\n\n\n\n

Las primeras fotograf\u00edas que tom\u00f3, con una c\u00e1mara comprada a cr\u00e9dito despu\u00e9s de convencer al dependiente de la tienda de que era bibliotecario, fueron de gansos y patos en el parque, \u201cs\u00f3lo para ver si sal\u00edan\u201d<\/em>.\u00a0Luego enfoc\u00f3 su visor en Ray.<\/p>\n\n\n\n

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\u201cNunca hab\u00eda tenido una c\u00e1mara antes de eso\u201d<\/em>, dice.\u00a0\u201cMis padres tal vez alguna vez tuvieron una c\u00e1mara de bolsillo 110, pero siempre fue demasiado caro revelar las pel\u00edculas.\u00a0Esas fotos que tom\u00e9 de mi padre tambi\u00e9n eran bastante raras.\u00a0Me tom\u00e9 tiempo en cada uno, probablemente solo tir\u00e9 10 rollos ese a\u00f1o\u201d.<\/em><\/p>\n\n\n\n

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Antes de dedicarse a la fotograf\u00eda, fue rechazado en 16 escuelas de arte del Reino Unido. Cuando, finalmente, fue aceptado en la Universidad de Sunderland, empez\u00f3 a trabajar con c\u00e1maras muy baratas y desechables y los revelados eran los m\u00e1s econ\u00f3micos que pod\u00eda permitirse. <\/p>\n\n\n\n

Su obra m\u00e1s conocida \u00abRay\u2019s a Laugh<\/strong>\u00bb (1996) convierte a sus padres en los protagonistas. Su hogar: un ambiente cargado de adornos y gatos en cada esquina. Una familia de clase obrera que ha sobrevivido gracias a los subsidios del Estado.<\/p>\n\n\n\n

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\ud83d\udc49 Su padre Raymond: alcoh\u00f3lico cr\u00f3nico. Lo \u00fanico que hace es beber y dormir. No le gusta salir a la calle. Se qued\u00f3 sin trabajo en una \u00e9poca muy dura para el Reino Unido (sufr\u00edan un \u00edndice alt\u00edsimo de paro en los a\u00f1os 70). A partir de ah\u00ed, su alcoholismo va acentu\u00e1ndose. Se queda sin dinero, tiene que vender la casa en la que viv\u00eda toda la familia y se trasladan a un bloque de viviendas sociales.<\/p>\n\n\n\n

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\"Richard<\/figure>\n\n\n\n
\"Richard<\/figure>\n<\/figure>\n\n\n\n
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\ud83d\udc49 Su madre Elizabeth. Ella no bebe, pero fuma de forma compulsiva. Sufre obesidad. Le interesan los gatos y los puzzles. Abandon\u00f3 a su familia durante dos a\u00f1os mientras el hermano de Richard, Jason, fue acogido por los servicios sociales.<\/p>\n\n\n\n

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\"Richard<\/figure>\n\n\n\n
\"Richard<\/figure>\n<\/figure>\n\n\n\n
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Ante su situaci\u00f3n familiar, Richard utiliz\u00f3 el arte para sobrevivir. Para encontrarse con sus emociones en tal panorama ca\u00f3tico. <\/p>\n\n\n\n

Originalmente, Billingham pens\u00f3 que usar\u00eda sus fotos como estudios para las pinturas de la escuela de arte, pero nunca termin\u00f3 ninguna.\u00a0Las fotos en s\u00ed siempre parec\u00edan m\u00e1s reales.\u00a0As\u00ed que lo convirti\u00f3 en un fotolibro.<\/p>\n\n\n\n

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Se consider\u00f3 que el fotolibro de Billingham\u00a0Ray’s a Laugh<\/strong><\/em>\u00a0hab\u00eda inventado un realismo s\u00f3rdido.\u00a0Sus fotograf\u00edas, surrealistas, claustrof\u00f3bicas, dieron sentido a la idea de \u201cdemasiado cerca de casa\u201d.\u00a0<\/p>\n\n\n\n

Despu\u00e9s de varios a\u00f1os, ha\u00a0logrado reconocimiento por su trabajo.\u00a0En 1995 obtuvo el Felix H. Man Memorial Prize. Al cabo de dos a\u00f1os, el Citibank Private Bank Photography Prize y en el 2001, qued\u00f3 finalista en el Turner Prize del Artist\u2019s Work Programme en el INMA, Dubl\u00edn.\u00a0<\/p>\n\n\n\n

Y en 2018, se estren\u00f3 la pel\u00edcula \u201cRay & Liz\u201d, una pel\u00edcula escrita y dirigida por el mismo Richard Billingham e inspirada en este fotolibro y en una cinta de v\u00eddeo que se estren\u00f3 en la Glynn Vivian Art Gallery, en Gales en 2015. Recibi\u00f3 el \u201cGran Premio del Jurado\u201d en el 15\u00ba Festival de Sevilla entre otros premios. Actualmente est\u00e1 disponible para ver en Filmin.<\/p>\n\n\n\n

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\"Richard<\/figure>\n\n\n\n
\"Richard<\/figure>\n<\/figure>\n\n\n\n
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Fuentes:<\/p>\n\n\n\n

https:\/\/www.theguardian.com\/<\/a><\/p>\n\n\n\n

https:\/\/unaserendipia.com\/<\/a><\/p>\n<\/div>\n\n\n\n

<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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